Treatise on Disobedient Photography was born with the intention of proposing other ways of making photographs without any desire to convince anyone. It is a response to observations I have been hearing for many years: 'too aesthetic,' 'you lack content,' 'what do you want to tell?', 'the effect doesn’t have to be the protagonist, it has to be just one more element,' 'I see a formal rigidity in your photographic approach,' or 'you’ll get to abstraction when you’re older,' comments that somehow questioned the experimental process as a value in itself.